Three magic words for people who create things are: don’t be precious.
Being precious means you’re behaving as if the draft, the sketch, the idea you’re working on is the most important thing in the history of the universe. It means you’ve lost perspective and can’t see the work objectively anymore. When you treat a work in progress too preciously, you trade your talents for fears. You become conservative, suppressing the courage required to make the tough choices that will resolve the work’s problems and let you finish. If you fear that your next decision will ruin the work, you are being precious.
When I see a young writer struggling to finish a book, or a painter wrestling with an incomplete painting, I say “don’t be precious.” If you truly love your craft there are an infinity of projects in your future. There will be other chapters. There will be other canvases and other songs. Perfection is a prison and a self-made one. Whatever you’re making, it doesn’t have to be perfect. Perfection is an illusion.
Obsessing about every little choice is a sure fire way to prevent great work from happening. Try a bold choice. Put the beginning at the end, or the top at the bottom. Blow your work up into jagged pieces and put them back together. You might just find this opens doors you didn’t even know were there. If you’re too precious you miss the hundreds of big choices that might reveal the path to completion, or convince you the project is a puzzle that needs to be abandoned for a time. But if you spin your wheels faster and faster on smaller and smaller details, you’ll never move anywhere. You’ll never call anything finished, denying yourself the essential experience of looking back from a distance and learning from what you’ve already made.
Some Buddhist monks make mandalas, intricate paintings made from colored grains of sand. When completed the mandalas are destroyed. These monks make, and destroy, these wondrous works to remind themselves not to be too precious, and not only about their works of art, but about life itself. This isn’t an excuse not to work hard, or to not strive for greatness. Mandala’s take skill and patience to create. Instead it’s a recognition that while your work might mean everything you in the moment, in the grand scheme of your career, your life, and the universe itself, it’s just another thing that will someday fade away.
Of course it is important to strive for greatness. You should care deeply about people and ideas that matter to you. To make good things requires intense effort and practice. There’s a long history of masters, from Michelangelo to Twyla Tharp to Kubrick (whose film 2001 is pictured above), who obsessed about the smallest details of their works and demanded the best from everyone who worked with them. In some ways they were very precious indeed. But they didn’t let those ambitions stop them from finishing their works: if they stayed stuck in their obsession for detail forever on a single project we wouldn’t know their names. Productive masters know how to be both intimate with and distant from their own work and we all need to learn the same flexibility.
It’s rarely discussed but all good makers leave a legacy of abandoned drafts, unfinished works, mediocre projects and failed ideas, work that enabled them to learn what they needed to finish the projects they are famous for. If your high standards, or self-loathing, is preventing your progress, don’t be precious about it. It takes hundreds of experiences with the cycle of starting, working, and finishing creative works before you have the talent to make finished things that match the grandeur of the ideas in your mind.
Say “don’t be precious” to yourself when you’re stuck. Let your obsession go, or blow it up into fun sized pieces and let the chips fall where they may. Move on, learn, and repeat. You’re a creator, which means you can make nothing into something whenever you want. There are infinite possible projects ahead in your career, but only if you move past the one you are making far too precious now.
[I learned about not being precious from the artist, and my friend, Teresa Brazen]