“If you write for yourself, you’ll always have an audience.” -Bruce Springsteen
“We can secure other people’s approval if we do right and try hard; but our own is worth a hundred of it, and no way has been found out of securing that.” – Mark Twain
It will take many hours to write a book. Therefore, you should write about something you, the writer, finds interesting. Why not please yourself?
“Will anyone care about my story?” people ask. Yes – you. It starts with you. Many people with an idea want an authority to tell them their idea is worthy. Why is approval necessary? You are the one who is going to do all the work. It is only you that needs to love the idea and believe in its merit. If you’re worried primarily about everyone else, that’s a marketing problem, not a writing problem. You can solve a marketing problem by doing research to see how many people care about stories like yours. If you want thousands to know you, that’s an ego problem, not a writing problem. Writing is just a kind of work and you must decide you care enough about your idea to put in the hours.
If you think your story can help people, that’s excellent. But it’s unlikely that you’d be the first to write a story about being a recovering drug addict, surviving divorce, starting a successful company, or whatever the specific life situation, or fictional idea, you want to write about. Do some homework: does a book like yours exist? It probably does. Did it help people in the way you want to help people? Probably yes. The question then is if you think your story is different or you can tell it better. No matter what you want to write about the primary question is for you: do you care enough to do the work?
I say don’t wait for permission. Permission on creative matters is for cowards. Just write a draft and see what happens. Maybe it will be awful. Maybe wonderful. Who knows? No one. Not until you get off your ass and make the thing. Writing is easy bravery. No lives are at stake. You’re not doing heart surgery or charging across flaming trenches. Pick up the pen, go to the keyboard, and use your words. No one will see but you – why be afraid of yourself? If you care about the idea for the book, do it. If you find it worthwhile or meaningful, that’s enough. Your idea is good because it’s yours, and it means something to you.
If in the end only one other person on the planet gets value from what you make, that alone justifies your efforts. That person might be a close friend, a distant stranger, or possibly even yourself, years later, when you rediscover this amazing thing you made, amazing simply because you made it. Your book idea is good because it’s yours. Whatever it is it’s good enough to be the book that you write. If an idea lingers in your mind, and won’t leave you alone, just do it. The only chance for sanity is to get the idea out of your mind and down on paper or on a screen.
If you think the story should be told, whether it’s yours, your Mom’s, or your imaginary friend Rupert’s, you are the only person in the world capable of telling it in the way you have it in your mind. Fiction, non-fiction, memoir, fantasy, a play, a novella, a blog, first person, third, a third person fantasy novella about Smurf memoirs, who cares? Form is a distraction. Certainly at first, and maybe always.
“All fiction is derivative, a fact that the good writer turns to his advantage, making the most of reader’s expectations, twisting old conventions satisfying expectations in unexpected ways. “ – John Gardner, The Art of Fiction
So what if your idea is not original. The last 2000 years of literature is mostly borrowed from Sophocles and his buddies, or Shakespeare, or the ancient myths. It’s clear the telling of the tale can be more potent than the tale itself. And for those ignorant of the books you’ve read, your story, however trite to you, might just blow their mind.
Don’t pester others for validation before you’ve written a word. Instead ask them to support your excitement and passion, for they can do that no matter how little sense your idea makes to them. Feedback? Sure. But feedback on an idea is mostly worthless. What confirmation do you need, or could you possibly get, for your own interest in an idea? The only way to know if an idea is ‘good’ or ‘bad’ is to do something with it.
And if you make it, and others don’t like it, you’re in good company. No author or artist has made something everyone likes. And for many authors and artists their friends were their only fans in their lifetimes.
Ideas can seem to tease us in our minds – they hover out of reach, too far for mere thinking to knock them on their ass. It’s only the act of making an idea real, through writing, drawing, filming or other manifested work that we pin ideas down long enough to discover what they can or cannot be in the world. Many will crumble. Some will disappoint. Some might need to linger again in our minds, for weeks or years. But the glory is that in every attempt there are new seeds to plant elsewhere. There is always more. People who never make anything don’t know this, but there is always more. You lose nothing by making. If your idea fades, before it disappears it will help you find others.
It’s only through effort that we learn what an idea actually is, and if our passion for it will last or fade. There is no shame in failure – all makers fail. But it’s hard to respect someone who never tries, even once, to do something good that’s always on their mind. If you’re worried about how good your idea is, you’re worrying about the wrong thing.
Get started. It’s the only way.
If this doesn’t get you to stop reading or talking about writing, and actually do something, this might explain why.
Or if you want to begin, go here.